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A Birthday Rubenstein Library Test Kitchen: Pastel Clouds (1978)

The Devil's Tale - Mon, 10/08/2018 - 19:11

The Devil’s Tale turns nine today! Since those first blog posts in 2009, our online and social media outreach has grown a bit, to Facebook, Twitter, Tumblr, and Instagram, but the blog is our first and dearest, and we’ll take any excuse we can get to make cupcakes.

And how could you not be motivated to bake something from this cheery 1978 cookbook from the Nicole Di Bona Peterson Collection of Advertising Cookbooks? It reminds me of Rainbow Brite, which was something I was in to when I was probably about nine, so it’s age appropriate.

This little promotional cookbook contains a recipe for Pastel Clouds, cupcakes made from vanilla cake mix and flavored with Jell-O. Which is about all of the cooking energy I can muster on a Sunday afternoon. Here’s the recipe:

I have not visited the Jell-O section of a grocery store in many years and . . . there are so many flavors of Jell-O! I may have gone a little overboard: I got strawberry, raspberry, lemon, and peach and decided I’d make strawberry cupcakes with lemon icing and peach cupcakes with raspberry icing. Which, since I planned to make only one batch of cupcakes, meant dividing lots of things in half, but I managed. And it’s finally October, so I also had a chance to use my spooky Halloween baking cups (which might not fit with the “pastel clouds” vibe, but oh well).

Somewhere along the way in making the cupcakes, I realized things weren’t really developing into one of our normal Test Kitchen posts, with arcane measures and techniques and curious ingredients. Jell-O is still as weird and wiggly as when I was a kid, the strawberry is still the best, and the lemon is still . . . way too reminiscent of school cafeterias. This recipe, while not quite how I’d make cupcakes normally, still holds up forty years later. We’ll see if The Devil’s Tale makes it to that milestone!

Happy birthday, Devil’s Tale and thanks for reading, everyone!

 

The post A Birthday Rubenstein Library Test Kitchen: Pastel Clouds (1978) appeared first on The Devil's Tale.

Why Watch One Duke Football Game Each Weekend When You Can Watch a Bunch?

The Devil's Tale - Fri, 10/05/2018 - 12:58

Post contributed by Tracy Jackson, Technical Services Archivist for the Duke University Archives and Head, Center Manuscript Processing Section.

Watch football films here!

Duke University Archives is very proud to announce that select films of football games made by Duke Athletics are now available for viewing on the web!

This is exciting news for us, and we hope you will be excited, too. The digitized films are available in two different ways: within the complete collection guide and directly from the Duke Digital Repository.

Not all of the films are available, unfortunately, as not all have been digitized yet. Only the football game films that have been requested by our users and digitized within the last ten years or so can now be viewed by anyone. The story of how these films became available is a bit complicated, and demonstrates why making digitized content of archival materials is never as easy as folks might think.

The football game films have been in the archives since the 1980s, with additions coming in occasionally. The older films are all actual films – 16mm films, to be more precise. Later films were made on video, including Betacam and DVCam. In total, there are about 2,500 films representing more than 80 years of football games at Duke.

Staff have made copies of some game films for people to view since the originals first came the Archives, and as time went on the format of these copies changed: we have use copies of films on VHS, Betacam, DVD, and digital files.

To keep an inventory of these films, Archives staff created an Access database in the mid-2000s, which includes both football and basketball films. This database included the date of the game, the opponent Duke played, and the outcome of the game, as well as how many films had been made of the game and what boxes they were in. The database was later made available online so people could search it and find games they were interested in seeing, and also included some information about use copies.

A screenshot of the Sports Films Access database

Unfortunately, the database was difficult, and then impossible, to update. We received more films from Duke Athletics, and more use copies were made, but the database didn’t include these new items. Also, our methods of keeping track of individual films changed. Our current archival practice for handling sound and motion picture recordings is to give each item a unique number so we can track it, and track any copies made of it. The database was made before we assigned these unique IDs to the films, so staff created a spreadsheet with information from the database plus the unique ID assigned to each film.

Screenshot of the Excel spreadsheet with information about the football game films

What’s more, we now manage all of the information about all of our collections in a separate, much larger database, ArchivesSpace. The sports film database could not talk to ArchivesSpace, and the spreadsheet version with the unique IDs wasn’t formatted to go into ArchivesSpace, either.

By 2016, we had well over a hundred boxes holding a couple thousand films of football games (and a similar situation with basketball films), and we had quite a lot of description about the games divided across several places, plus use copies of films and a few dozen digital files of games that people had requested, none of which were easily accessible to the public.

We know people want to see these films. We want people to see these films! So we set to work to figure out how to get a full list of all the games we had, in the same place and format where we keep all the information about our collections; how to let people know which ones have been digitized already; and also let people actually watch the ones that have been digitized.

First I had to get all the metadata about the films together into one place, formatted consistently, with the unique IDs we use to track them included. This involved lots and lots of spreadsheets. I used the original Access database, two different Excel spreadsheets that had been created to assign unique IDs and format data, and OpenRefine. I spent a lot of time cleaning up dates, moving things around, and just so much copying and pasting. I also had to figure out how to organize the films in a way that made sense both to human beings looking at the lists and the way ArchivesSpace stores and displays description. Finally, after months of wrangling spreadsheets, I got the description for football films from the 1930s through 1993 organized by opponent, in chronological order, with any other description we had (final score, what part of the game an individual film covered), and into ArchivesSpace. We created a collection guide that was available online, showing all this information, hooray!

Screenshot of the football films entered in ArchivesSpace

After that, there was still a lot of work to do to get the digitized films available for streaming online. I worked closely with Craig Breaden, the Audiovisual Archivist, to figure out what had been digitized and where those files were. Craig and I also worked extensively with Molly Bragg and Moira Downey in the Digital Production Center to get the digitized films into the Duke Digital Repository, the home of our digital collections. Moira did a ton of work and was very patient with me while we worked out how to do this, since it involved once again making sure the metadata we had was formatted in a way that worked with the DDR systems, that we knew what and where the files were, and many other steps.

Once Moira did the bulk of the work in getting the films into the DDR, there were still a few steps I and my colleague Noah Huffman needed to do to make sure the films would be visible within the collection guide. We were able to make sure metadata from the DDR went into ArchivesSpace, then once Molly’s team published the digital collection, reposted the collection guide. And voila!

Screenshot of Football Game Film Collection guide showing streaming 1984 Duke vs. UNC game film

Getting digitized archival material available for almost seamless viewing by the public takes a lot of preparation and work behind the scenes. The technologies we use to make copies of recordings, the methods we use to keep track of our materials, and the way we store and display materials online all change rapidly and frequently, so any endeavor like this, even one that seems simple, takes multiple people, multiple systems, and a surprising amount of time. So far, there are 38 films from the Football Game Films Collection available online, but there is still a lot of work to be done with this collection: there are more films to add to the collection guide, and other copies made of films that we hope to make available.

The staff of University Archives is very excited to make the digitized football films available, and we’re glad all our work went in to something we think a lot of people will enjoy. I’m currently working on repeating this process with the Basketball Films, so stay tuned!

The post Why Watch One Duke Football Game Each Weekend When You Can Watch a Bunch? appeared first on The Devil's Tale.

Understanding the Eye through Pictures

The Devil's Tale - Wed, 10/03/2018 - 11:15

Post contributed by Wenrui Zhao, a Ph.D. candidate in the History Department at Columbia University and a History of Medicine Collections travel grant recipient

What did people know about the anatomy of our eyes and the causes of eye diseases in Europe in the sixteenth and seventeenth centuries? How did they understand vision and think about the sense of sight? My dissertation “Dissecting Sight: Eye Surgery and Vision in Early Modern Europe” tries to answer these questions. Thanks to a generous History of Medicine travel grant, I could consult the wonderful collections at the David M. Rubenstein Rare Book & Manuscript Library to support my project.

The absolute highlight of my visit is the book Ophthalmodouleia, das ist Augendienst by the German surgeon Georg Bartisch, published in 1583 in Dresden. It is one of the earliest publications on eye diseases and eye surgery, and is written in vernacular German. Bartisch was a man of modest upbringing who never received university medical training, yet he was appointed oculist to the Elector of Saxony late in his life.

Bartisch’s treatise is about the mechanism of seeing, but also enacts an experience of seeing. The most striking feature of this book is the great number of finely-executed illustrations alongside the texts. These woodcuts depict various subjects related to ocular disorders and surgical techniques. The Rubenstein Library has one of the very few hand-colored copies of this treatise. While I have already seen this edition in black and white elsewhere, examining this beautiful hand-colored copy was a very different experience and brought new insights.

Two sets of the illustrations are movable flaps, representing the internal structure of the head and the anatomy of the eye respectively. The red blood vessels, light brown iris, and the meticulous shading and cross-hatching help distinguish different parts of the eye. They evoke the ocular surgical procedure, and prompt the readers to ponder their own faculty of vision when they lift these sheets layer by layer.

Some of the images representing surgical tools were even heightened by gold and silver, such as this pair of scissors, thereby accentuating their intricate and elegant design.

Bartisch’s Ophthalmodouleia represents an emergent interest in the anatomy and physiology of the eye from the late sixteenth century. It also serves as a great example of how medical knowledge could be visualized and communicated at that time.

The post Understanding the Eye through Pictures appeared first on The Devil's Tale.

Jeff James appointed International Forum President

National Archives - Thu, 09/20/2018 - 11:26

Chief Executive and Keeper of The National Archives, Jeff James, has been appointed President of the Forum of National Archivists (FAN), the international forum for national archivists. Jeff will also join the International Council on Archives’ (ICA) Executive Board and its Programme Commission, where he will represent the views of national archivists.

The National Archives is a prestigious national institution with an international reputation for excellence. Jeff has overall responsibility for the future direction and current performance, and provides visible and inspirational strategic leadership to more than 500 staff. Jeff spent six years as Director of Operations of The National Archives, and successfully led the institution’s strategic development and operational delivery.

The National Archives leads the UK archive sector, and provides inspiration, advocacy and support for archive services in England. In March 2017, Jeff oversaw the development and co-creation of an ambitious vision and action plan for the sector Archives Unlocked.

The ICA is a neutral, non-governmental organisation, funded by 1,900 members from 199 countries and territories. Its aims include advocating for good archival management and the physical protection of recorded heritage, producing reputable standards and best practices, and encouraging dialogue, exchange, and transmission of this knowledge and expertise across national borders.

On hearing of his appointment, Jeff said: ‘I believe that this reflects the international reputation that UK archives have through their wealth of collections and soundness of practice. I will dedicate myself to driving forward FAN’s strategic programme of work, and in realising its wider potential, in greater collaboration with the ICA and key peers in other institutions across the globe.’

The post Jeff James appointed International Forum President appeared first on The National Archives.

Jeff James appointed International Forum President

National Archives - Thu, 09/20/2018 - 11:26

Chief Executive and Keeper of The National Archives, Jeff James, has been appointed President of the Forum of National Archivists (FAN), the international forum for national archivists. Jeff will also join the International Council on Archives’ (ICA) Executive Board and its Programme Commission, where he will represent the views of national archivists.

The National Archives is a prestigious national institution with an international reputation for excellence. Jeff has overall responsibility for the future direction and current performance, and provides visible and inspirational strategic leadership to more than 500 staff. Jeff spent six years as Director of Operations of The National Archives, and successfully led the institution’s strategic development and operational delivery.

The National Archives leads the UK archive sector, and provides inspiration, advocacy and support for archive services in England. In March 2017, Jeff oversaw the development and co-creation of an ambitious vision and action plan for the sector Archives Unlocked.

The ICA is a neutral, non-governmental organisation, funded by 1,900 members from 199 countries and territories. Its aims include advocating for good archival management and the physical protection of recorded heritage, producing reputable standards and best practices, and encouraging dialogue, exchange, and transmission of this knowledge and expertise across national borders.

On hearing of his appointment, Jeff said: ‘I believe that this reflects the international reputation that UK archives have through their wealth of collections and soundness of practice. I will dedicate myself to driving forward FAN’s strategic programme of work, and in realising its wider potential, in greater collaboration with the ICA and key peers in other institutions across the globe.’

The post Jeff James appointed International Forum President appeared first on The National Archives.

Shakespeare documents recognised at UNESCO ceremony

National Archives - Thu, 09/20/2018 - 05:38

A ceremony to celebrate the inclusion of 90 Shakespeare documents in UNESCO’s International Memory of the World register has been held in London.

PRO 30/25/205: Shakespeare portrait

Documents created during the lifetime of William Shakespeare and relating to the playwright’s life events, business dealings and legal actions now form part of the register of culturally and historically significant items, artefacts and buildings from across the world, which includes the Egyptian pyramids, the Gutenberg Bible, and the Bayeux Tapestry.

The Shakespeare documents held by The National Archives form the largest collection of its kind and feature nearly half of all known contemporary references to his life – including four of his six known signatures.

Dr Katy Mair, Head of Early Modern Records at The National Archives, said: ‘We are delighted that The National Archives’ documents have been included in the UNESCO International Memory of the World register. Our collection provides a priceless perspective on Shakespeare’s life in London.

‘By inscribing our documents along with those held by institutions both in the UK and abroad we can see the global reach that Shakespeare and his works still has today.’

PROB 1/4: Will of William Shakespeare, 25 March 1616

The successful nomination was led by the Shakespeare Birthplace Trust in partnership with The National Archives, Worcestershire Archives and Archaeology Service, the College of Arms, the British Library and London Metropolitan Archives in the UK, and the Folger Shakespeare Library in Washington DC, USA.

The post Shakespeare documents recognised at UNESCO ceremony appeared first on The National Archives.

Shakespeare documents recognised at UNESCO ceremony

National Archives - Thu, 09/20/2018 - 05:38

A ceremony to celebrate the inclusion of 90 Shakespeare documents in UNESCO’s International Memory of the World register has been held in London.

PRO 30/25/205: Shakespeare portrait

Documents created during the lifetime of William Shakespeare and relating to the playwright’s life events, business dealings and legal actions now form part of the register of culturally and historically significant items, artefacts and buildings from across the world, which includes the Egyptian pyramids, the Gutenberg Bible, and the Bayeux Tapestry.

The Shakespeare documents held by The National Archives form the largest collection of its kind and feature nearly half of all known contemporary references to his life – including four of his six known signatures.

Dr Katy Mair, Head of Early Modern Records at The National Archives, said: ‘We are delighted that The National Archives’ documents have been included in the UNESCO International Memory of the World register. Our collection provides a priceless perspective on Shakespeare’s life in London.

‘By inscribing our documents along with those held by institutions both in the UK and abroad we can see the global reach that Shakespeare and his works still has today.’

PROB 1/4: Will of William Shakespeare, 25 March 1616

The successful nomination was led by the Shakespeare Birthplace Trust in partnership with The National Archives, Worcestershire Archives and Archaeology Service, the College of Arms, the British Library and London Metropolitan Archives in the UK, and the Folger Shakespeare Library in Washington DC, USA.

The post Shakespeare documents recognised at UNESCO ceremony appeared first on The National Archives.

Educational Opportunity and Legal Strategy: Exploring the ACLU of North Carolina Records

The Devil's Tale - Thu, 09/13/2018 - 11:00

Post contributed by Esther Cyna, doctoral student in History and Education at Teachers College, Columbia University, a recipient of a 2018 Marshall T. Meyer Research Travel Grant.

How did advocates for equal educational opportunities for children in North Carolina shift their legal strategies when desegregation battles became increasingly difficult to wage in the mid-1970s? It is with this research question in mind that I explored the American Civil Liberties Union of North Carolina (NCCLU) records, which are part of the Human Rights Archive at the David M. Rubenstein Rare Book & Manuscript Library. I spent a week exploring this rich collection to get a better understanding of civil rights attorneys’ thinking.

One case in particular captures many of the tensions that my work seeks to disentangle: Leandro v. State of North Carolina, the major school finance case in the state, tackles issues of educational inequalities in the state and sheds light on structural inequities exacerbated by an inequitable funding formula, and provides a fascinating example of how legal strategy changed over time.[1]

While at Duke University, I had the honor of interviewing a leading scholar and attorney in the field, Prof. John Charles Boger, former Dean of the UNC Law School, whose name appeared in the NCCLU papers on several occasions, and who was involved in writing amici briefs for the Leandro case in the 1990s and 2000s.[2] I was immersed in the NCCLU papers, and then had a long conversation with Prof. Boger in the Von der Hayden Pavilion, just a few feet away from the archival research room, in a wonderful dialogue between written sources and human accounts.

One of the major themes in this research is the relationship between funding inequities and test scores, and implications for poor students’ opportunities. The period that I study witnessed the rise of standards-based reform and standardized testing, most notably promoted by Governor Jim Hunt. Attorneys in the Leandro case underlined the disturbing correlation between low-wealth—and therefore low funding, since school funding relies on property tax—and low achievement as measured by standardized tests. The following excerpts from the initial Leandro complaint points out that students in poor, rural counties in the state often failed on the state’s own standards because of a chronic lack of resources in their districts.[3] Attorneys claimed this was evidence of the state’s failure to honor its constitutional obligation to provide a sound basic education to all children in the state:

“The inadequacies of the educational opportunities for schoolchildren in the plaintiff districts may also be seen from the State’s designation of the school systems of Halifax, Hoke, Robeson, and Vance Counties as being on either low performing or warning status for 1991, 1992, and 1993.” (Complaint draft, Leandro v. State, May 25, 1994, p. 21)

“A further indication of the inadequate educational opportunities available to schoolchildren in the plaintiff districts is student performance on the State’s own standardized tests.” (Complaint draft, Leandro v. State, May 25, 1994, p. 76)

Delving into these issues thus provides us with necessary context to understand what many have called the “achievement gap,” as well as labels such as “low performing” and “failing,” which became increasingly used to designate poor, struggling school districts at the end of the 20th century.

In the Common Sense Foundation records of the Human Rights Archive, I found that in 2001, a commission sponsored by the Durham Public Education Network studied the discrepancy between test scores of white students and black and Hispanic students in the public schools of Durham, North Carolina. 90% of white and Asian students performed at or above grade level in reading and math, compared to 60% of African American students. The report included the following sentence in bold, capital letters: “the achievement gap is no one’s fault, but it’s everyone’s responsibility.”[4] The statement suggests that differences in test scores between students could not be traced to the decisions and policies of historical actors. The commission agreed that the difference should be addressed, but it presented it as a disembodied reality: the “achievement gap”—as measured by standardized testing in 2001—had no history, no context, and no fixed meaning. Yet understanding the history of unequal funding and chronic disadvantage for poor school districts and poor students sheds light on a true, documented opportunity gap.

The Marshall T. Meyer travel grant allowed me to delve into archival sources that will be the backbone of a chapter on legal strategy in my dissertation, and I want to thank Patrick Stawski and the entire staff at the library for their support. Not only did I gather important archival sources, but I was also able to really gain a much better understanding of the legal and economic context of the period I am investigating. I left the library with a lot of pictures, but more importantly with a deeper and much more nuanced understanding of people’s actions, discourse, and beliefs.

[1] American Civil Liberties Union of North Carolina Records, Box 323, Folder: “Paralegal Office Cases, Leandro (4 of 14), Complaint / Super Ct.,” David M. Rubenstein Rare Book & Manuscript Library, Duke University.

[2] See for example NCCLU papers, Box 284, Folder: Legal Committee Meeting Minutes, 1987, July 17-1997, Dec. 6. Prof. Boger’s work was praised in a NCCLU meeting document: “Leandro v. State – amicus brief was filed at the NC Supreme Court. Kudos were given to Ann Hubbard and Jack Boger for their fantastic job on the brief.”

[3] Complaint draft of Leandro v. State, May 25, 1994, American Civil Liberties Union of North Carolina Records, Box 323, Folder: “Paralegal Office Cases, Leandro (4 of 14), Complaint / Super Ct,” David M. Rubenstein Rare Book & Manuscript Library, Duke University.

[4] “Closing the Achievement Gap Through Community Action” Spring 2001, Common Sense Foundation Records, Box 14, Folder: “Achievement Gap,” David M. Rubenstein Rare Book & Manuscript Library, Duke University. I also found a copy of this document in the Theresa El-Amin papers. “Closing the Achievement Gap Through Community Action” Spring 2001, Box 4, Folder “Durham Public Schools: Education+Testing,” sub-folder “Closing the Achievement Gap,” Theresa El-Amin papers, David M. Rubenstein Rare Book & Manuscript, Duke University.

The post Educational Opportunity and Legal Strategy: Exploring the ACLU of North Carolina Records appeared first on The Devil's Tale.

Headline sponsors of DCDC18 announced

National Archives - Fri, 08/31/2018 - 07:05

We are delighted to announce that Wellcome Collection will be the headline sponsor for DCDC18: Memory and Transformation.

Delivered jointly by The National Archives and Research Libraries UK, the Discovering Collections Discovering Communities (DCDC) conference brings together speakers from across the heritage, cultural, and academic sectors to share their experiences and thoughts on topics ranging from commemoration, digital transformation and how we can all engage with new and diverse audiences.

Simon Chaplin, Director of Culture and Society at Wellcome Trust, and Director of Wellcome Collection said: ‘As a museum and library that aims to challenge how we all think and feel about health Wellcome Collection is pleased to be able to support DCDC18. Breaking down boundaries and bringing new voices to shape our approach are things we care about deeply and DCDC will be a fantastic opportunity to share with and learn from others.’

This year, DCDC will be held at the Birmingham Conference and Events Centre from 19-21 November. There will be a Wellcome Collection session on the afternoon of Tuesday 20 November where artist, activist, academic and Wellcome Engagement Fellow, Lois Weaver, will host a long table discussion on the topic ‘Whose Memories?’ The session will explore questions of absence and exclusion in memory institutions.

For the full conference programme and how to register for your place at the conference, please see the DCDC website.  

Join the conversation on #DCDC18

The post Headline sponsors of DCDC18 announced appeared first on The National Archives.

Headline sponsors of DCDC18 announced

National Archives - Fri, 08/31/2018 - 07:05

We are delighted to announce that Wellcome Collection will be the headline sponsor for DCDC18: Memory and Transformation.

Delivered jointly by The National Archives and Research Libraries UK, the Discovering Collections Discovering Communities (DCDC) conference brings together speakers from across the heritage, cultural, and academic sectors to share their experiences and thoughts on topics ranging from commemoration, digital transformation and how we can all engage with new and diverse audiences.

Simon Chaplin, Director of Culture and Society at Wellcome Trust, and Director of Wellcome Collection said: ‘As a museum and library that aims to challenge how we all think and feel about health Wellcome Collection is pleased to be able to support DCDC18. Breaking down boundaries and bringing new voices to shape our approach are things we care about deeply and DCDC will be a fantastic opportunity to share with and learn from others.’

This year, DCDC will be held at the Birmingham Conference and Events Centre from 19-21 November. There will be a Wellcome Collection session on the afternoon of Tuesday 20 November where artist, activist, academic and Wellcome Engagement Fellow, Lois Weaver, will host a long table discussion on the topic ‘Whose Memories?’ The session will explore questions of absence and exclusion in memory institutions.

For the full conference programme and how to register for your place at the conference, please see the DCDC website.

Join the conversation on #DCDC18

The post Headline sponsors of DCDC18 announced appeared first on The National Archives.

Here’s a Few Ways to Learn Duke’s History!

The Devil's Tale - Thu, 08/30/2018 - 10:18

We’re starting the school year off w/ lots of interest in Duke’s complex history, which warms (and engages) our archivist hearts. So here’s a handy compilation of ways to learn more about Duke history at the University Archives!

Travel through 178 years of Duke history with this nifty timeline.

Or grab your coffee & head to the permanent Duke University history exhibit outside the Gothic Reading Room. 

Learn more about the workers who built the Duke campuses & their working conditions on the website created by this past summer’s Story+ project, “Stone by Stone: Who Built the Duke Chapel?”

Our research guides will point you to key resources on popular topics, like athletics & student activism.

Our website has tons of historical information, like historical articles written by UA staff (including one about the Robert E. Lee statue removed from Duke Chapel).

Or you can browse our online exhibits! Integration, Duke during World War II, Duke’s queer history—find them here!

The Duke Chronicle, Duke’s student-run newspaper, is a fantastic historical resource. We’ve digitized the very first issue (December 19, 1905) through Feb 1989 and you can read/search through them here. 1990s issues will be available this fall!

103 years of the Chanticleer (Duke’s yearbook) are also browsable online. So many retro hairstyles!

Or see what the Pratt School of Engineering was like with digitized issues of DukEngineer.

Want to see Duke history rather than read about it? Our Flickr site has 3,000+ photos!

This 1982 photo is on Flickr. Might not be the best set up for looking at Flickr, though. And the easiest way to learn about Duke history? Stop by the University Archives and talk to your friendly university archivists!

The post Here’s a Few Ways to Learn Duke’s History! appeared first on The Devil's Tale.

Workforce development for the archive sector

National Archives - Wed, 08/29/2018 - 10:50

A team of workers pulls together (catalogue reference: INF 3/125b)

The National Archives has today launched a workforce development strategy for the archive sector. Independent research consultancy Pye Tait was commissioned to create the strategy, which was further developed with the support of Archives Unlocked.

The strategy draws upon extensive dialogue with people from across the archive sector, as well as with a range of funders and partners from the wider culture, heritage and information worlds.

Five strategic objectives to foster a skilled and flexible workforce emerged as a result of roundtable discussions, in-depth interviews and a national workforce survey. The strategy highlights in particular the importance of the archive workforce embracing new digital skills, developing new leaders from within the sector and also tackling the challenging lack of diversity within archives.

Dr Valerie Johnson, Director of Research and Collections at The National Archives, said: “This strategy clearly shows the drive of the sector to embrace change and develop new skills for the challenges of today. We look forward to working with our partners and the Archives Unlocked Board to implement the initiatives highlighted in this strategy and welcome comment and participation from the sector to take forward the strategy together.”

Geoff Pick, former chair of the Archives and Records Association, Director of London Metropolitan Archives and part of the Archives Unlocked board, said: “This strategy is built on the views of the whole sector and I am pleased to see that it addresses the critical issues that all archives are facing, such as diversity and social mobility. The collaborative work in this document opens up new creative pathways for the sector to both recruit new talent and support the professional development of its current workforce.”

Read the Workforce Development Strategy (PDF, 1.3MB)

The post Workforce development for the archive sector appeared first on The National Archives.

Workforce development for the archive sector

National Archives - Wed, 08/29/2018 - 10:50

A team of workers pulls together (catalogue reference: INF 3/125b)

The National Archives has today launched a workforce development strategy for the archive sector. Independent research consultancy Pye Tait was commissioned to create the strategy, which was further developed with the support of Archives Unlocked.

The strategy draws upon extensive dialogue with people from across the archive sector, as well as with a range of funders and partners from the wider culture, heritage and information worlds.

Five strategic objectives to foster a skilled and flexible workforce emerged as a result of roundtable discussions, in-depth interviews and a national workforce survey. The strategy highlights in particular the importance of the archive workforce embracing new digital skills, developing new leaders from within the sector and also tackling the challenging lack of diversity within archives.

Dr Valerie Johnson, Director of Research and Collections at The National Archives, said: “This strategy clearly shows the drive of the sector to embrace change and develop new skills for the challenges of today. We look forward to working with our partners and the Archives Unlocked Board to implement the initiatives highlighted in this strategy and welcome comment and participation from the sector to take forward the strategy together.”

Geoff Pick, former chair of the Archives and Records Association, Director of London Metropolitan Archives and part of the Archives Unlocked board, said: “This strategy is built on the views of the whole sector and I am pleased to see that it addresses the critical issues that all archives are facing, such as diversity and social mobility. The collaborative work in this document opens up new creative pathways for the sector to both recruit new talent and support the professional development of its current workforce.”

Read the Workforce Development Strategy (PDF, 1.3MB)

The post Workforce development for the archive sector appeared first on The National Archives.

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